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Using Gigmeister with MainStage and Gig Performer

If you play keys or guitar in a live band, there is a good chance you use Apple MainStage or Gig Performer to host your virtual instruments and effects. Both are excellent at what they do: load plugins, switch patches, and process audio in real time with rock-solid stability.

But they are built for one player at a time. And if you have ever tried to coordinate patch changes across a full band — keyboards, guitar rig, drum triggers, maybe a lighting desk — you know that each player managing their own host independently leads to problems. Missed cues, wrong patches, awkward gaps between songs.

Gigmeister is not a replacement for MainStage or Gig Performer. It is the layer that sits above them and runs the show.

Both apps are patch hosts. They load your virtual instruments (piano, organ, synth pads, guitar amp sims) and let you switch between configurations using MIDI program changes. Their strengths:

  • Low-latency audio processing with optimized plugin hosting
  • Complex signal routing (splits, layers, effects chains)
  • Per-patch settings for volume, EQ, effects parameters
  • Setlist organization of patches in performance order

MainStage is built into the Apple ecosystem and works seamlessly with Logic Pro sounds. Gig Performer is cross-platform, supports both VST and AU, and has a visual wiring view that makes complex routing intuitive. Both are purpose-built for stage use and both are great at their job.

The problem is not the host. The problem is everything around it.

Each player is an island. Your keyboard player has their MainStage setlist. Your guitarist has their Helix presets. Your drummer has SPD-SX kits. None of these systems talk to each other. When the band decides to swap songs 4 and 7 in tonight’s setlist, every player has to manually reorder their own rig.

No shared context. The singer is on verse 2, but the keyboard player loaded the wrong patch because they thought the band was on the bridge. There is no single source of truth for “where are we in the show right now.”

Patch switching is per-device. Even within MainStage or Gig Performer, switching patches means the player has to tap a button, click a mouse, or step on a pedal assigned to that specific host. Multiply that by every device on stage and you have a lot of manual actions per song.

No visibility for the rest of the team. Your sound engineer cannot see your MainStage setlist. Your lighting operator does not know what song is next. The band leader has no way to push a setlist change to everyone at once.

Gigmeister acts as the band-level conductor. It manages the setlist, the song metadata, and the MIDI messages that tell every device on stage — including MainStage and Gig Performer — what to do.

Build your setlist once in Gigmeister. Assign MIDI program changes to each song for every device in the band. When you advance to the next song, Gigmeister sends program changes to all devices simultaneously:

  • Your keyboard player’s MainStage receives PC 23 on channel 1 and loads the Rhodes patch
  • Your guitarist’s Helix receives PC 4 on channel 3 and loads the clean rig
  • Your drummer’s SPD-SX receives PC 12 on channel 10 and loads the right kit

One action. Every device switches. No one has to touch their individual host.

Songs are not one patch from start to finish. You might need a piano for the verse, a synth pad for the chorus, and a lead sound for the solo. Gigmeister’s step-based navigation handles this.

Define steps for each song (intro, verse, chorus, bridge, solo) and assign different MIDI program changes to each step. When you advance to the chorus, MainStage or Gig Performer receives the right program change and loads the chorus patch. Your guitarist’s rig switches at the same time.

This is something neither MainStage nor Gig Performer does well on its own. They can switch patches, but they do not know what section of the song you are in. Gigmeister provides that structure.

Gigmeister sends MIDI clock at 24 pulses per quarter note, locked to the song’s tempo. MainStage and Gig Performer can slave their tempo-synced effects to this clock:

  • Delays that are perfectly in time with the band
  • Arpeggiators that follow the song tempo
  • Tremolo and modulation effects that pulse on the beat

You can even set per-step tempo changes. If the bridge slows down to half time, Gigmeister adjusts the clock and your host’s synced effects follow automatically.

Upload MIDI files to Gigmeister and trigger them on song or step start. These clips play back through your host’s loaded instruments:

  • Trigger a synth sequence loaded in MainStage
  • Fire a one-shot sample via Gig Performer
  • Auto-loop a MIDI pattern for the duration of a section

Clips are tempo-scaled to match the current song BPM, so they stay in sync even if you adjust the tempo.

Getting MainStage or Gig Performer working with Gigmeister takes about 15 minutes.

Connect your Gigmeister device (iPad, iPhone, laptop, or desktop app) to your host computer via USB-MIDI, a MIDI interface, or a virtual MIDI bus if both apps run on the same machine.

In MainStage: Go to Layout mode. Set your Concert to respond to MIDI program changes on your chosen channel. Each patch in your Concert already has a program change number — just make sure the numbers match what you configure in Gigmeister.

In Gig Performer: Open the MIDI settings for your rackspace. Enable “MIDI Program Change” listening on the appropriate channel. Gig Performer maps rackspaces to program change numbers, so rackspace 1 responds to PC 0, rackspace 2 responds to PC 1, and so on.

Open any song in your Gigmeister library. Go to the MIDI tab. Add your MainStage or Gig Performer instance as a device (generic MIDI device works — just set the channel). Pick the program change number that corresponds to the right patch in your host.

Do this for each song. If you use step-based navigation, assign per-step programs too.

Drag your songs into a setlist. Hit play. When you advance songs — by swiping, tapping, or using a foot pedal — Gigmeister sends the program changes and your host loads the right patch.

Think of it this way:

ResponsibilityMainStage / Gig PerformerGigmeister
Host virtual instrumentsYesNo
Process audio in real timeYesNo
Complex signal routingYesNo
Manage the band’s setlistNoYes
Switch patches across all devices at onceNoYes
Per-section MIDI automationLimitedYes
Share setlist with the whole bandNoYes
Share setlist with sound engineerNoYes
Chord sheets and lyrics on stageNoYes
MIDI clock sync to band tempoNoYes
Work offline at the venueStandaloneYes (offline-first)

MainStage and Gig Performer manage your sounds. Gigmeister manages your show. Together, they cover the full workflow from soundcheck to encore.

Match your program change numbers. The most common issue is a mismatch between what Gigmeister sends and what your host expects. MainStage and Gig Performer both number from 0, but some documentation shows 1-based numbering. Test every song before the gig.

Use dedicated MIDI channels. Put MainStage on channel 1, Gig Performer (if another player uses it) on channel 2, and hardware devices on higher channels. This prevents crosstalk.

Send changes during transitions. Some patches take a moment to load, especially if they use large sample libraries. Advancing to the next song a beat early, during applause, or during stage banter gives the host time to load without audible gaps.

Keep your host’s own setlist as a backup. If the MIDI connection fails mid-gig, you want to be able to manually step through patches in MainStage or Gig Performer. Set up their internal setlists to mirror your Gigmeister setlist as a fallback.

If you already use MainStage or Gig Performer, Gigmeister plugs right into your workflow. Your host keeps doing what it does best — hosting plugins and processing audio. Gigmeister adds the band-level coordination that a single-player host cannot provide.

Create a free account on Gigmeister and connect your first device. Check the MIDI documentation for detailed setup instructions.